1. Control the amount of overheads you need in a mix. The most dominant instruments of the drum is the kick and snare, while the toms sit between the mix of overheads, kick, and snare.<\/p>\n
2. If you want the kick to complement the bass guitar, you\u2019ll need to look in the frequency spectrum and choose the pocket of frequencies that you want for the kick. So, if the kick\u2019s sub frequency sits around 30-60Hz and the bass guitar sub sits around at 60-80Hz, you\u2019ll need to attenuate the kick for anything above 60Hz in order to leave space for the bass guitar. \u00a0If the kick frequencies overlap with the bass guitar, also known as \u201cmasking\u201d, it won\u2019t sound good. \u00a0Leave space for the instruments!<\/p>\n
3. If you recorded the top snare and don\u2019t like the sizzle of the bottom snare, use side-chain gating on the snare with a white noise oscillator plugin that comes on every DAW. \u00a0This is cool for whenever you hit the snare, because the white noise activates each hit and then ducks down right away because the gate is also activated.<\/p>\n
4. If you use virtual drum plugins, be very careful with the velocity of each hit. Personally, I don\u2019t want to buy a song if the drums sound robotic because it\u2019s really unnatural. Listen to the original song you\u2019re covering, catch the meticulous part of the hits, and try to copy the sound as much as you can on those hits. When you listen to your track, close your eyes, and see if you feel like there\u2019s an actual drummer in the room.<\/p>\n
5. Always use a click!<\/p>\n
Percussion:<\/strong><\/p>\n 1. This is probably the easiest instrument to mix. The frequencies are high enough so they don\u2019t tend to interfere with other instruments.<\/p>\n 2. Whenever you do an acoustic song, make sure to add more percussion instruments to fill in the mix.<\/p>\n 3. Don\u2019t be afraid to increase the volume a bit. Percussion instruments can get lost if they are too quiet.<\/span><\/p>\n Bass Guitar:<\/strong><\/p>\n 1. It\u2019s important that you hit the notes right on the grid of your DAW. This technique is easier if you\u2019re a bit behind the tempo instead of playing ahead. Relaxing your muscles to relieve the tension in your hands can also help you hit the notes on the grid.<\/p>\n 2. The fundamental frequency for bass guitars is around 40Hz-400Hz and the harmonics are around 4kHz-5kHz. Just like with drums, leave frequency space for other instruments to play around with.<\/p>\n 3. Tune, tune, and oh yeah\u2026 Tune! No matter how quiet or how loud the bass is, it will always be heard. \u00a0Don\u2019t press, pluck, or pick the strings aggressively. This can cause it to go out of tune. Let the electric players do the hard work while you chill and maintain balance giving your bass the best sound possible.<\/p>\n Electric Guitar:<\/strong><\/p>\n 1. Electric guitar tends to be the instrument that stands out the most. \u00a0Be conservative with the way you mix as electric guitars are midrange sensitive. Humans tend to hear the midrange frequencies the most, so be careful how much you use. \u00a0Leave space for the keyboard to complement it in the mix as well.<\/p>\n 2. The muddy and muffled frequencies are around 250Hz-700Hz. If you want the lead guitar to cut in the mix, try boosting it to around 2kHz-4kHz. 2.3kHz is the sweet spot for me. If you want to add some meat to the tone, mess around with the EQ between 90Hz-120Hz.<\/p>\n 3. Guitar effects are key to coloring your sound on electric, but be careful with the number of effects you add or it will sound mushy!<\/p>\n Acoustic Guitar:<\/strong><\/p>\n 1. The acoustic guitar is often underestimated. It can give personality to worship leaders that sing and it\u2019s the one instrument that can sound like a guitar and be percussive. I suggest having an acoustic guitar ready for any song.<\/p>\n 2. When you record an acoustic guitar, make sure it\u2019s an acoustic-electric guitar. That way, when you record the acoustic you are picking up the signal from a microphone and getting the direct line in for its second channel. People tend to push direct lines away since it can sound unnatural, but it can actually help give body to the sound and get rid of the airy, high end sound that sometimes comes from a microphone.<\/span><\/p>\n 3. My preference for EQ-ing is to cut any sub frequencies so that all the rumble and background noises are removed. The acoustic can\u2019t reach those frequencies anyways. I usually remove 100-250Hz since that\u2019s where all the rumble comes from, and 10-20kHz should also be filtered out if you want to remove any hissing noises in the background. The full guitar frequencies start at around 50-80Hz, add in 200-300Hz if you want more body to the guitar, and around 2-5kHz is where you get the definition of the strings.<\/span><\/p>\n
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